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Ai jing xiang
Ai jing xiang





ai jing xiang

The closed outer wall of the mound creates a cave-like interior space, with a narrow gap measuring only 3 meters above the ground and extending along a 300-meter stretch. These "Eyes" also serve as the concept of the building’s massing, acting as a window for the dialogue between the internal world and the external ruins.

ai jing xiang

In such a large-scale site, the building is conceived as an uplifted landscape-three undulating mounds, as a response in the topographical sense and also a response to the context of the site-the three mound-shaped ruins left over from the ancient Shu Kingdom and the crescent-shaped Moon Bay Terrace, forming a landscape resembling "three stars with the moon," thus giving rise to the name "Sanxingdui"Įyes of the building - The bronze mask's expressive eyes have become renowned as the most iconic cultural relic from Sanxingdui. The Yazi River's expansive water surface is accompanied by long dams and sandbars, with distant views of continuous snow-capped mountains. The scenery of the site is magnificent, which is different from the ordinary rural landscape in western Sichuan. The site for the new museum is located in the north of the park's central axis, 400 meters long, near the river embankment. Over the past 30 years, these saplings have grown into a dense forest consisting of towering trees that are surrounded by water systems. Three mounts in the site - During the museum's initial opening, saplings were planted throughout the riverside site. Furthermore, several upgrading projects have been implemented, such as the tourist toilets, underground pipelines, and anti-flooding canals built in the park, laying a good foundation for the future decades of operation of the museum park. Additionally, a canopy porch has been added to provide tourists with a welcoming entrance to the park.

ai jing xiang

The renovation also includes transforming the old visitor center and parking lot at the original gate. 1, effectively reintegrating the park as a cohesive whole. 2, the altar, the cultural preservation center, and old Museum No. The design aims to re-plan the visitor route of the entire park, establishing a counterclockwise visiting loop that begins from the new entrance square, which connects the new museum, old Museum No. Currently, the park features two axes that were formed in different eras, causing the existing buildings to be relatively scattered. The new museum's design is not an isolated project instead, it focuses on reorganizing the functions and circulation of the entire park.







Ai jing xiang